Sunday, September 30, 2012

AJC: New Animation Studio Opens in Atlanta

New animation studio opens in Atlanta

By Greg Bluestein
The Atlanta Journal-Constitution
Here’s a colorful job opportunity in Georgia: An animation company is expecting to employ about 100 people at its new studio by the end of the year.
Bento Box said Thursday that it was working with city and state officials to train dozens of artists and designers to staff the northwest Atlanta studio. The California-based company said it hopes to have 200 employees at the studio within three years.
“We really see Atlanta as a great place to engage the talent in Georgia,” said Scott Greenberg, the company’s co-founder. “We’ll be a part of the community, and we intend to do a lot more work down there.”
The development is a spillover effect of the growth of Georgia’s production industry. As spending on TV and film production in the state has more than quadrupled over the past four years, animation studios are being drawn to Atlanta for its proximity to behemoths such as Turner Broadcasting and access to a trained workforce.
“Atlanta is becoming a hub for this type of work,” said Asante Bradford, a project manager with the state Economic Development Department who helped land the expansion. He said a range of similar deals are on the drawing board.
“It’s exciting. After four or five years of advertising, they’re calling me now,” Bradford said of animation studios and other potential suitors.
Bento Box credited the state’s rich talent pool — legions of students trained at local art schools — as well as a tax break of up to 30 percent of a production’s budget for film and TV companies that spend at least $500,000 on a project.
Exact industry numbers are hard to come by, but analysts and industry officials say there are at least 700 animators who work in Georgia employed in jobs that typically pay about $60,000.
Floyd County Productions, the creator of FX’s “Archer” series, has about 100 employees based in offices near the Virginia-Highland neighborhood. And Stargate Studios, a special effects company, recently expanded to metro Atlanta for work on AMC’s popular zombie drama “The Walking Dead.”
And, of course, there’s Cartoon Network, Turner Broadcasting’s 24-hour animation station, which is celebrating its 20th birthday Monday. From rather humble beginnings, the network now reaches an audience of more than 360 million homes worldwide.
Bento Box, which has spent the past three months training its first few dozen employees, is already set to do animation work for two TV series. One is a show called “The Awesomes,” an original series from “Saturday Night Live” head writer Seth Meyers for the Hulu online network. Another, called “Out There,” will be featured on the IFC channel.
Greenberg said the work for these two programs would have otherwise been bid out to Korea, China or another international locale. But he was convinced Atlanta is a better alternative, thanks in part to its vibrant arts community.
“Instead of putting work overseas, we’re keeping it here,” he said. “We had to wait for the right time for us, the right project. And this is it.”

Thursday, September 27, 2012

Specs on Illustrative Alphabet and the Ad

Part One:
Create an Illustrative Alphabet.
Part One Critique is Tuesday October 9th.

Now, here is the application of those imaginative and creative alphabets:

PART TWO:
Due Tuesday October 16th
Creating a Print Advertisement for the Typeface/Font.

Each of you will create a 12x18 advertisement (the format is up to each of you. It can be a large one page vertical advertisement OR a double-page spread (horizontally) that might appear in a design magazine/annual.

The main idea is to now Advertise and Sell your one-of-a-kind ILLUSTRATIVE Typeface to the public for use. This can be done in various ways such as:
1.You can create a "situation" for the typeface to be a part (funny, serious,tongue-n-cheek, spiritual,etc.)
2. Or you can use all or part or pieces of the typeface to create a "buzz" for your illustrative typeface,
3. Or you can "tease" the typeface you've created by unveiling some of the concept,
4. Or you can show the entire typeface in some capacity on the page (do you want to show all of it?) There are many ways to "sell" your original typeface and that is an integral part of this assignment.

Now, you've created it so how do you sell it? (You've created your own Frankenstein what do you do with him?) Be clever. An Advertisement is how you gain notoriety for your work. It's a visual pitch.

SPECS:
-Needs to be 12x18 in scale. (It can have a border or not.)

-Needs to use the House Industry logo in some capacity as if they are the company who is endorsing, selling and advertising your typeface. (Please check out their past Advertisements to see how they've done this. Some of them are on your course blog. Also take a look at Veer or Chank for further ideas on advertisements.)
www.veer.com OR www.chank.com (http://www.flickr.com/photos/chankdiesel/)

-Needs to be Mounted.

-Needs to have the creator of the typeface on it someplace. (That would be your name. aka "Designed especially for House Industries by Stephanie Miller" or something thereabouts.)

-Needs to have several lines or a paragraph of Text in your Advertisement. (ie. "A brand new typeface for House Industries created by the designer who...." or "Coming in 2013 a new typeface that will cure the common cold" or some tag line that indicates to it's purchaser something about why they need to buy this from House Industries.

Use the House Industries logo on your Ads.

Past Self Portraits


In Class: Self Portrait with Type

What if you could only use the initials in your name to create a self portrait of yourself. Perhaps you could also add the numerals of your age or the date your were born or even the letters found in the entirety of your name? Think about it. What would you do?

courtesy:
www.backtoessentials.com/inspiration/70-minimalist-typography-examples/
http://creativenerds.co.uk/inspiration/25-beautiful-examples-of-typography-portraits/
















Think Project Runway except with Type.

A limited amount of time. A limited assignment. No limitations on creativity.

DIRECTIONS: Do not ask me for more directions. Read this and then follow it as you understand it.

1. Take a photo(s) of yourself RIGHT NOW using the iMac/photobooth camera in front of you.
You can also ask others to assist you if need to with your photo or you can be innovative all by yourself. This photo(s) will only be the template for your assignment. No part of this photo in it's original form should appear on your finished typographic portrait.

2. Using words/numerals/dingbats that seems to describe only YOU, create a typographic portrait of yourself. Words, phrases, comments, descriptions, poetry, prose, favorite sayings, etc. can be a part of this. It could also be nothing more than the letters that make up your name. You will decide that quickly.

3. You can use color or black and white or variations of both.

4.You can choose any typeface(s) you wish that you feel represents your identity.
Choose wisely. You will be asked why you choose these typefaces. Have a reason.

4. You MUST POST your finished assignment to your blog by the end of the class.
It will time and date your assignment. Any portrait after the time stamp of 5:20p will not be graded. ALSO, save your file in whatever format you use for future printing.

Design is always about looking inside of your own self and taking in all around you...then from all that stimuli comes originality as only you can create.
Typography is words that are who we are. We are our conversations, our descriptions, our essays and our lives. Use them as only you can.

Get busy. You've got until 5:20p.

Parking Lot Alphabet





 Her inspiration is below when she discovered the grid found in parking lots and then she began to
hand-create each alphabet and photograph them for final presentation. These were created by Merielen Knowles in 2009.


Sunday, September 16, 2012

2011 Illustrative Typeface Concepts: More to Come

Jerad Hill




Morgan Sjoblom


Anna Masuzawa




Deborah Bush: Squid Typeface




Ice Typography: Illustrative Typeface via Ice

Ice Typography from cameron zotter on Vimeo.

Change of Plans: Next Assignment will be the Illustrative Alphabet



This is by Cherisa Hawkins. She did a smoke typeface that utilized Helvetica as a starting point and then moved into a more abstract version. This was done with burning incense and a program she found on line.

This Illustrative Typeface project will be your second project for the semester. Start thinking about how you want to approach this and then take a look at work created on Flickr and previous designers....google "illustrative typefaces" and you'll see an array of work. Yours should be different.
Here are the Specs for the project followed by examples:

The Illustrative Alphabet Project:

In every culture throughout history, there has been the establishment of a visual language. This language is based on the ideology of that particular unique group. The development of a visual language (iconography) may stem from it's environment, its food source, its rituals, and even its individual religion. From cave drawings to the hieroglyphics found in Middle Eastern cultures to modern day graffiti, cultural societies have played the part of graphic designers and illustrators documenting our lives and culture.

This project will enable you to design a sequential illustrative alphabet based on your personal experiences within your own culture and/or history. You might choose to make this typographical illustrative treatment a serious examination of how you read the alphabet or you might wish to present examples of a tongue-in-cheek creation utilizing found objects in nature or out of existing objects.

I would encourage you to create your illustrative alphabet in a Black and White format first and then convert to a final color format. Your critique will be based on the color version although you might want to show both at the critique.

Each illustrative alphabet letter form should be approx. 2"x 2" in scale. This might be vertical or horizontal but all alphabet type must be on one board. This depends on the images you create therefore the alphabet can be a percentage larger (vertically or horizontally). Remember that once you establish a GRID for your personal alphabet remain true to that GRID for the rest of the alphabet.
If you want to also create numerals, punctuation marks on a second board that is even better.
Consistency in concept and rendering and presentation is key to a successful project.

Be Clever. Be insightful.

These might be hand-drawn, photographed, collages, computer-generated and/or combinations of all mentioned. You may wish to merge commercial typography families (sampling) and thus creating a new “hybrid” type alphabet.

The final illustrative alphabet you design will be presented on your chosen board size (all 26 letterforms). You may wish to include numerals as well. It's optional.
Extra points for actually taking your new alphabet to an actual font.

NOTE: You may be asked to create a design using your own alphabet at the end of this project so be Prepared. Happy Hunting for your illustrative imagery.











Min Sun Kim created this water illustrative alphabet on glass.

Sandra Lo created several designs: One created from actual photographs around the downtown area/architectural and the other is created by using a fork with ink.



Shauna Perry created several ideas that were experimental..one is created by photographing images from her car and the other is created with a glue gun on acetate and then shot at angles.





Mario Segarra created this playful alphabet in the park with his favorite gal.



James Linehan created these glass letters in Blender 3D.



Chia Lin Wong Illustrative Typeface that she created outside in the forest with linen and some helpful trees.



Mario Segarra:






Saeideh Jodaki:


Michelle Villasenor:

Joe Buckel:





Nathan Linkous:



Zach Silverman:


Kari Lennox:





Jason Dooley:



Chrissy Culver:



Found on the web in various places like flickr.
Be creative and let these be clever, smart and applicable to design.



Also check this site out:
http://www.blogger.com/img/blank.gifhttp://www.amandinealessandra.com/cumulus/2008/10/07/ideographic-alphabet-sic/







I was working on my own illustrative alphabet and I stumbled on one today that totally resembles what I was doing. DRATS! It always seems to happen and so I'm telling you now to get used to it. I blame the internet since I have no one else to blame.
Actually they aren't that close to what I've been doing but it's close. The ones on Flickr are more Illustration and the image is dedicated more to the content found in each state (which is pretty cool.) Mine are more close to the actual alphabet. That was my concept for this project. Alphabet State.
I'll still finish my 26 alphabetical states and post them when I'm done.

Anyway, check out this wonderful flickr site where my idea, I mean his idea, is located.
Seriously, a Big Shout out to Frank Sparrow. Wonderfully brilliant illustrations and designs.
Images courtesy of:
http://www.flickr.com/photos/frank-sparrow/sets/72157603633586435/
http://www.flickr.com/photos/frank-sparrow/

Also check this out below which is another inventive typeface derived from the states:
www.happycavalier.com/



TO: Google Maps
FM: Stan
RE: Oh No You Didn't
Courtesy:
www.nypost.com/p/news/regional/new_york_as_the_alphabet_
hXPcNhQzdjPvEpQyDnWMjN?photo_num=1

and no less than this too:



Images from last year's Juniors Illustrative Typeface Project: